The Bride of Lammermoor

The Bride of Lammermoor, by Sir Walter Scott

The Classics Club issued a dare to pick a spooky classic from our lists to read.  My CC list has already had most of the spooky classics taken, but I did have one left: The Bride of Lammermoor, by Sir Walter Scott.  I knew it featured a bride who goes mad and stabs somebody, and that an opera, Lucia di Lammermoor, was based on the novel.  Also, the novel was published in 1819.  But it's historical fiction, set at the end of the 17th century, over 100 years before Scott wrote it.

Edgar, Master of Ravenswood, has been dispossessed of his ancestral property.  His father was a Jacobite and was stripped of his title and everything else, too.  Edgar has a single tower left to him, Wolfs Crag, and no money whatsoever.  He has to find a job overseas, because he's certainly not welcome in Scotland, but first he would like to take his revenge upon the man who persecuted his father and then got all the property: Sir William Ashton, a grasping man.  Before he gets the chance, though, Edgar runs into a lovely young maiden being menaced by an angry bull, and of course saves her.  She is Lucy Ashton, his enemy's daughter, and they fall in love.  Lucy is lovely and sweet, but not much on standing up for herself.

Sir William is actually pretty in favor of the match, and Edgar is willing to forget his revenge if he can have Lucy.  The lovers make a sacred vow to each other, but then Lady Ashton comes home, and she doesn't like this idea at all.  Lucy holds on, but her mother simply runs her right over and arranges a marriage with a rich and in fact reasonably nice neighbor, who has no clue that his shy bride is being railroaded.  Edgar shows up but is not allowed to see Lucy alone, and she can't explain.  So she goes mad instead, stabbing her bridegroom during the feast and then dying in a delerium.

It's not quite as exciting a story as it sounds -- there is a lot of time riding around the countryside and meeting up with a comic steward -- but it's pretty good.  It was not at all a difficult read.  I would not put it as high as The Heart of Midlothian, though.  That's a great novel.

I have a great fondness for Patricia Wentworth mysteries, which are Golden Age but also complete cotton candy for the mind.  One, The Ivory Dagger, is a riff on The Bride of Lammermoor, though Wentworth changes several things.  She hangs a lampshade right on it, and it's pretty fun.  So I'm reading that now in order to enjoy the inside jokes a little more.


  1. The opera covers just about the last 10% of the novel. It is a bit more efficient than Scott.

  2. It's not the best Scott, but it is pretty good, isn't it? I hadn't twigged to the connection with The Ivory Dagger--I should reread that, too!

  3. Lucia is my all-time favorite opera! But I haven't read this book. Tom's comment above made me laugh, though. 😂

  4. You know what, a little more efficiency would probably improve the novel! I've never seen the opera, though; maybe I should if it's a favorite.

  5. The "mad scene" in the opera is an all-time great scene.

  6. Nice review! This is on my CC list as well... I'm familiar with the story from the opera (which is quite chilling).


Post a Comment

I'd love to know what you think, so please comment!

Popular posts from this blog

The Four Ages of Poetry

Ozathon #1: The Wonderful Wizard of Oz